The sound of mega orgasms: the female composers taking music into intimate places

A soundtrack to an erotic feminist film, the crunch of crisps in your own mouth, a composition for strap-on and electric guitar meet the women who are making music and telling stories on their own terms

In the early 1990s, the accordionist and musical improviser Pauline Oliveros wrote the soundtrack for a feminist porn film called The Sluts and Goddesses Video Workshop. The film is presented and co-directed by Annie Sprinkle, a sex worker turned academic whose lecture covers everything from deep breathing and vaginal bling to STD prevention and mega orgasms. Along the way, we get a spectacular sonic counterpart of drones, glitches, bleeps, twangs and pulsations.

Conventional porn music this is not: no sultry saxophones, no oily bass guitars. Instead, Oliveros made sounds that are fun, tactile and inquisitive. If Sprinkles mission was to confront industry standards of what erotic looks like, freeing viewers to define their own tastes, Oliveros reminded us that the power to decide what music means should ultimately belong to the listener.

This autumn, in the wake of the allegations against Harvey Weinstein and others, a couple of things became urgently clear. We must listen more carefully to womens voices, and we must change the power structures that govern much of public and private life, including the arts.

A
A screengrab from The Sluts and Goddesses Video Workshop (1992) by Annie Sprinkle and Maria Beatty Photograph: Vimeo

Pauline was empowering her listeners, says the writer Ione, the late Oliveross partner and regular collaborator. Sluts and Goddesses was not pornography, not if you mean the word in any pejorative or sleazy sense. It was about sexual freedom, showing that sexuality is a natural and wonderful thing for women. The sounds Pauline made were deeply sensual because they related to the body. Her music was always about the Earth, the body, being human, the cosmos.

The film gets a rare public screening this week at the London contemporary music festival, in a section termed (brace yourself) New Intimacy. Contemporary music has a long and tetchy history of labels, schools and isms, almost all coined by programmers or academics rather than artists themselves. New Intimacy seems a cheeky throwback to the contentiously named New Complexity and New Simplicity movements of the 1980s.

Empowering
Empowering listeners Pauline Oliveros. Photograph: Vinciane Verguethen

There is a particular irony to the new bit, given several of the works at LCMF are three or four decades old. But what about the intimacy? Modernism was about removing the body from art, says festival director Igor Toronyi-Lalic. About removing personal identity and prioritising science, abstraction and objectivity. With postmodernism, the body is reinserted into feminist art, queer theory. That is whats at the heart of the New Intimacy movement.

The series includes a work by Kajsa Magnarsson for strap-on and electric guitar; a piece by Claudia Molitor to be performed by audience members within their own mouths as they chew sweets, popcorn and crisps; and the 1965 film Fuses, in which Carolee Schneemann documents the most intimate moments of her relationship with composer James Tenney. Also in the mix is the pristine and ultra-sparse Second String Quartet by Wandelweiser composer Jrg Frey music so stripped back and delicate it can start to feel febrile, like the tender stuff left exposed after some kind of sonic disrobing. Aesthetically, its probably the diametric opposite to the sparkly dildos and nipple tassels of the film, but maybe the point is how these works share a potential to empower and turn the attention back on audiences.

Claudia Molitor has been exploring the haptic in music for nearly two decades, and welcomes the wide scope of New Intimacy. Its a provocation, right? Most of the time, women arent supposed to express ourselves in certain ways because its considered unbecoming, so maybe its good to put something out there that is unbecoming. If it makes people uncomfortable, thats all right. A lot of women spend quite a lot of their lives feeling uncomfortable. Anyway, its hardly new. Mozart said it with Cosi Fan Tutte: women have the same desires as men.

Eva-Maria
Eva-Maria Westbroek in the opera Anna Nicole by Mark-Anthony Turnage in 2014. Photograph: Tristram Kenton for the Guardian

Composer and performance artist Jennifer Walshe likewise uses her work to deal with gender and identity. Her confrontational 2003 music theatre piece, XXX Live Nude Girls, featured Barbie dolls in all manner of sexual positions and scenarios of abuse. If you want to privilege the female gaze, she says, you have to privilege it at every level of production, right down to technical crews. Think of an opera like Anna Nicole. This was a work by Mark-Anthony Turnage, about the Playboy star Anna Nicole Smith. The librettist is a man, the composer is a man, the director was a man. Why arent women allowed to write their own stories?

Walshe also questions the potential in New Intimacy for exploitation or plain voyeurism. Sometimes I feel that women are forced into a position where they are only permitted to have a voice by articulating their most intimate details, she says. Memoirs by musicians like Viv Albertine, Kim Gordon, Carrie Brownstein, Kristin Hersh all of which are books I love get very deep into the personal in a way many memoirs by male musicians dont.

Is there the expectation that in telling their stories, they have to get into these details? That their stories are only worth being heard if they are explicit? Or, as women, is part of dealing with life being forced to deal with gender or sexuality in a way many of their male collaborators dont have to, which means its only natural to talk about it?

One lesson from Weinstein is that his alleged victims didnt speak out because the industry granted him a power that robbed them of their agency. We need to trust ourselves, wrote Mona Chalabi in the Guardian. The sickening allegations have reminded me just how important it is that we trust our instincts.

This also applies to the danger of glorifying artists. For centuries, we built up personality cults around composers made gods out of men like Mozart, Beethoven, Wagner, Britten and Stockhausen. These genius narratives might have let us believe we were accessing the divine when listening to Tristan und Isolde or Mittwoch aus Licht and so feel somehow aggrandised by proxy but if composers were supposed to be superhumanly talented, their means of production remained unattainable to the rest of us, and their behaviour potentially unaccountable. It was a recipe for alienation, for too much licence, for abuse.

Red
Red Note Ensemble perform 13 Vices by Jennifer Walshe and Brian Irvine at the New Music Biennial in Hull. Photograph: James Mulkeen

Pauline was very much not into all that, Ione says. All that genius crap. Just look at the collaborative, collegial, supportive way she worked with Annie and the group of women who made Sluts and Goddesses. Look at the way she improvised with anybody.

It seems contemporary music is moving increasingly in that direction. Gone are the towering iconoclasts of the 20th century. Instead, programmers from Huddersfield contemporary music festival to Glasgows Counterflows to LCMF are looking to provide nimbler, more personal experiences.

Its about getting us to relate to ourselves better, says Molitor, whose piece 10 Mouth Installationsincludes an instruction sheet suggesting the best order in which to eat the sweets, popcorn and crisps (Hula-Hoops to be precise). Its about not going for a big public statement where one person declares something and the audience laps it up. Its more of a negotiation: Im an individual, youre an individual, so lets all acknowledge our bodies and our presences in this space.

If contemporary classical music seemed a branch of the avant-garde too erudite for everyday gender politics, too esoteric to deal with the erotic, think again. With its flexible forms, exploratory sound worlds and playful intellectual provocations, this music is proving to have a special potential to redress the way we relate to status, to each other, to ourselves not only for those making music, but also for those listening.

Read more: https://www.theguardian.com/music/2017/dec/06/sound-of-mega-orgasms-female-composers-london-contemporary-music-festival-new-intimacy

Egyptian Politician: We Need FGM To Lower Female Libido





 

1 2 5
What Is The Chinese
Secret To Optimum
Blood Pressure?
Why This Is The
Healthiest Oil On Earth?
Click To Learn More
100% of Your
Vital Nutrition In
Just 30 Seconds

A member of Egyptian parliament called on women to agree to female genital mutilation, or FGM, in order to “reduce their sexual appetites,” local media reported. He also allegedly cited Egyptian men’s high rate of consumption of sexual stimulants…

Read More At:

Clip from The Kyle Kulinski Show, which airs live on Blog Talk Radio and Secular Talk Radio Monday – Friday 11:00 AM – 12:30 PM Eastern time zone.

Check out our website – and become a member – at:

Listen to the Live Show or On Demand archive at:

Follow on Twitter:

Like on Facebook:

Friends Of SecularTalk:

AMAZON LINK:

The week in patriarchy: Trump clearly doesn’t understand health insurance

If you dont realize by now that a total clown is in charge, nothing is going to change that. At least its Friday

If you want to be able to sleep this weekend, do yourself a favor and dont read the New York Times expansive interview with Donald Trump. The president makes little sense as he answers questions about everything from Russia to Jeff Sessions and healthcare and if you were already worried about whose hands the country is in, this piece will not put your mind at ease. For example, it seems pretty evident that the president of the United States has no idea how health insurance works.

I used to see interviews like this and be a bit pleased because the more coverage of Trumps stupidity the better. But if you dont realize by now that a total clown is in charge, theres no interview or expose thats going to change that. So join me this week in a good old fashion wallow: things are bad, the president is bad. At least its Friday.

Glass half full

Scotland just became the first nation to offer free sanitary products to low-income women. Access to tampons and pads arent just a hygiene issue but a health and rights issue. At least one country is getting it right.

What Im RTing

Amir Talai (@AmirTalai)

I read this brilliance on race and couldnt help thinking the world could really use Fran Lebowitz blogging or tweeting or something. pic.twitter.com/KLTHaZa6op

July 18, 2017

Laurie Penny (@PennyRed)

Most of the interesting women you know are far, far angrier than you’d imagine.

July 18, 2017

Renee Bracey Sherman (@RBraceySherman)

Home care workers care for families, and sometimes deal with abuse, sexual assault, and only get paid $10 an hour. https://t.co/P6oream4xT pic.twitter.com/TNzJJn1HwK

July 20, 2017

Planned Parenthood (@PPact)

.@ppfa & @ReproRights are suing Texas over its latest abortion ban. Politicians make bad doctorshttps://t.co/zRfjG51i5t #WeWontGoBack pic.twitter.com/wmksAUMYmm

July 20, 2017

Who Im reading

Soraya Nadia Mcdonald on R Kelly and the truth behind why he hasnt been held accountable for his abuse we just dont care about black women; Daniel Kibblesmith with a humourous but way too real take on the expectation that Hillary Clinton disappear from public life; and ProPublicas incredible investigation into maternal deaths in the United States.

What Im watching

How Fox News is trying to normalize collusion. Oh good.

How outraged I am

I was already at a ni ne out of 10 over Betsy Devos listening to anti-women rape deniers, and this first person account at Vox from a sexual assault survivor put me at a full 10.

How Im making it through this week

A golden retriever in Long Island rescued a baby deer from drowning and Ive watched it at least 15 times.

Sign up for Jessica Valentis weekly newsletter on feminism and sexism

Read more: https://www.theguardian.com/world/2017/jul/21/the-week-in-patriarchy-trump-clearly-doesnt-understand-health-insurance

Home made Vaginal Wash to Eliminate Feminine Odor and Vaginal Itching

If You’re Experiencing recurring vaginal itching, vaginal infection, foul Vaginal Discharge & Vaginal Irritation, READ THIS IMMEDIATELY…

Discover The Rare Leaves From South East Asia Jungle Help Get Rid of Vaginal Itching, Fishy Discharge, Yeast Infection and Bacterial Vaginosis Within Days…”

smeall vaginal 3

Click Here To Learn More!

1 2 3
What Is The Chinese
Secret To Optimum
Blood Pressure?
Why This Is The
Healthiest Oil On Earth?
Click To Learn More
Bring Your Old
Battery Back To Life!
4 5 6
How To Survive In
Bed & Nail Women
Like A Rockstar!
100% of Your
Vital Nutrition In
Just 30 Seconds
How A 2000-Year-Old
Nepalese Secret To Cure
Your Sciatica in 7
DAYS OR LESS

Keep your vagina neat and clean with the use of our natural vaginal washes. There are many feminine washes available in the market to get rid of the vaginal smell. Find here some of the safe and natural vaginal wash home remedies you can prepare yourself at home

www.induswomen.com